On the Pink Life.

This city is a dead city.
It used to be alive but now it is dead.
If the city were a person, I would refer to the city as a she.
For example: 'It used to be alive but now she is dead.'
Et cetera.
A dead city with living inhabitants bears a metaphorical or metaphysical resemblance to maggoted bodies; to feeding on waste.
The maggots I mean.
This city is a dead city.
A man can eat out of a garbage can and glare into the distance, aware of my thoughts.
He can and he had and these were things that actually happened.
That are actually happened.
A man with one arm jangles the coins in his pocket and spits to the left.
A wedding occurs someplace in the distance, symmetrically.
The stump of the man's other arm is soft, newborn flesh and slightly misshapen at the end.
The stump is springy and firm.
He touches me with it accidentally.
That is how I know these things.
This is the dead city.
And when he touched me, I was stunned, walking as though I were either already dad or could die at a moment's notice.
The loudspeaker of the dead city blares loudest on hot nights.
Waves crash several hundred miles in the opposite direction: invisible, landlocked city.
Leprosy crumbles like damp moss here.
She is lean and grizzled.